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DTSTART;TZID=Europe/London:20220205T100000
DTEND;TZID=Europe/London:20220205T170000
DTSTAMP:20260515T050458
CREATED:20211010T204723Z
LAST-MODIFIED:20220111T152106Z
UID:3852-1644055200-1644080400@memf.org.uk
SUMMARY:The Gabrieli Times Table with Tutor Alison Kinder
DESCRIPTION:This will be an innovative multi choir day of music by Giovanni Gabrieli\, with Tutor Ali Kinder\, increasing the choir numbers as we go from 6 parts\, to 8 parts (two choirs)\, to 12 parts (three choirs) and 14 parts (three choirs) \nWe welcome all singers and instrumentalists (strings\, recorders\, reeds and brass all welcome) Pitch A=440. Fees for MEMF and other EMF members is £18\, non-members £23. \n  \nGiovanni Gabrieli\nNephew of the great Andrea Gabrieli and student of Orlando Lassus\, Giovanni Gabrieli held the posts of both principal organist and principal composer at the basilica of St Mark’s in Venice. This workshop will look at four pieces from his vast output\, two with sacred texts and two secular. As well as being beautiful music\, it will hopefully be fun to witness the expansion of our ensemble into ever increasing numbers of parts during the day! \n  \nAlison Kinder read Music at Oxford and then studied viol with Alison Crum at Trinity College of Music\, being awarded the college’s Silver Medal for Early Music Studies. Her love is of viols in all shapes and sizes\, from soundpost-less Renaissance instruments to 7-string baroque basses. Alison is an enthusiastic teacher both privately and on courses\, and she runs the Rondo Viol Academy with fellow teacher and player Jacqui Robertson-Wade \n  \nBooking now open – please scroll down
URL:https://memf.org.uk/event/the-gabrieli-times-table-with-tutor-alison-kinder/
LOCATION:Dorridge Village Hall\, Grange Road\, Dorridge\, B93 8QA
CATEGORIES:A440,brass,Recorders,Strings,Viols,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211106T100000
DTEND;TZID=Europe/London:20211106T170000
DTSTAMP:20260515T050458
CREATED:20210818T190813Z
LAST-MODIFIED:20211010T201920Z
UID:3557-1636192800-1636218000@memf.org.uk
SUMMARY:Josquin 500 with David Hatcher
DESCRIPTION:  \nFollowing on from their excellent Josquin 500 festival of concerts and online events\, David Hatcher from The Linarol Consort of renaissance viols is going to lead this workshop for voices and viols (Jacobean and Renaissance) at A440 pitch. \nWe will be celebrating the life of Josquin.  Imagine\, shortly after his death in Condé sur Escaut on August 27th\, 1521\, that a group of this associates\, friends\, and colleagues\, gather together to privately lament his recent passing. They are singers\, but they are also players of the still relatively new viol and have access to copies of a number of his greatest works that would normally have been heard only in church without instrumental participation. With this as our pretence\, we will look at a selection of motets written by Josquin\, including what was possibly his last work\, Pater noster/Ave Maria\, which he asked to be sung in front of his house on religious processions. We will also take a look at some of the many songs of lamentation that were composed in his memory \n  \nLinarol Consort \nDavid Hatcher was born in Warwick and upon attaining the LTCL diploma two years after taking up music\, he went on to study viola da gamba with Charles Medlam and recorder with Philip Thorby at Trinity College of Music\, London.  In 1987 he moved to Japan where he was to remain for the next 9 years\, taking an active part in that country’s flourishing early music scene.  David now lives in Leominster on the Welsh Marches and regularly teaches on summer schools and is in demand as a tutor for many weekend and day courses.  He is a founder member of The Linarol Consort of Viols\, exploring the rich heritage of early 16th century music. \n  \nPlease scroll down to book. \n 
URL:https://memf.org.uk/event/josquin-workshop-with-david-hatcher/
LOCATION:Solihull Methodist Church\, Blossomfield Road\, Solihull\, B91 1LG\, United Kingdom
CATEGORIES:A440,Viols,Voices
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211023T100000
DTEND;TZID=Europe/London:20211024T170000
DTSTAMP:20260515T050458
CREATED:20210627T182614Z
LAST-MODIFIED:20210920T182844Z
UID:3437-1634983200-1635094800@memf.org.uk
SUMMARY:Welcome to Beautiful Venice - with Philip Thorby
DESCRIPTION:Philip will introduce us to a feast of music showing Venice at her most extravagant and sumptuous best in order to welcome royal and distinguished guests.  In 1574 King Henri III of France visited the Serenissima and Andrea Gabrieli wrote the 10 part “Ecco Vinegia Bella” for the occasion. The King attended services in San Marco and we will represent this with Andrea Gabrieli’s sumptuous 16 part Gloria and Claudio Merulo’s setting of the Te Deum verse “Salvum Fac Populum”. Andrea also composed “Dal Gran Tuonante” for a distinguished lady visitor. \nIn this 2 day workshop we will also enjoy Giovanni Gabrieli’s 12 part motet “Virtute Magna” in honour of St Mark and “Udite\, Chiari” to celebrate the Sposalizio\, the annual ceremony when the Doge marries Venice to the sea. \nPhilip Thorby is a specialist in music of the Italian Renaissance\, particularly Venetian. Formerly a Professor at Trinity College\, Philip has become one of the most popular of workshop tutors. His four Zoom lectures on the music of Venice earlier this year were stunning and widely acclaimed. They can be viewed on another page of this website. \nThis workshop is for all voices\, cornets\, sackbuts\, curtals\, recorders\, viols\, violins and continuo instruments. The pitch will be 440. \nBooking now open – please scroll down for the booking form.
URL:https://memf.org.uk/event/welcome-to-beautiful-venice-with-philip-thorby/
LOCATION:Solihull School
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Viols,Voices,woodwind
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210427T193000
DTEND;TZID=Europe/London:20210427T203000
DTSTAMP:20260515T050458
CREATED:20210315T131134Z
LAST-MODIFIED:20210415T120325Z
UID:2856-1619551800-1619555400@memf.org.uk
SUMMARY:Requiem for a King - a workshop for voices and instruments (A=415) with Jeffrey Skidmore
DESCRIPTION:Jeffrey Skidmore explores music by Michel-Richard de Lalande including two magnificent Grand Motets written for Louis XIV to be performed in the golden splendour of the Chapelle Royale in the palace of Versailles.  The workshop includes the powerfully moving Requiem from De Profundis\, which was performed at the Sun King’s funeral in 1715\, and the uplifting Hymn for Easter Day O filii et filae. He will take a look at primary source material\, discuss research and explore some important features of French Baroque style – ornamentation\, pronunciation and notes inégales. \nWe will sing these two pieces at A 415 – SATBB chorus\, backed by an orchestra of strings\, oboes\, bassoons\, flutes\, recorders\, organ and theorbo. (Instrumental parts will also be available) \nThe powerful music of Lalande is still the least well-known of the great Baroque composers.  With a major anniversary creeping up in 2026 NOW is the time to start putting things right.  His music is consistently incroyable! \nJeffrey Skidmore OBE has been Artistic Director of Ex Cathedra for over 50 years and has an international reputation for the quality and range of his work. Baroque music from Latin America has featured prominently in recent years and he has given many magical performances in beautiful venues around the world\, he has recorded four  CDs\, created many new editions and explored a whole new world of performance practice. \nPlease book below.
URL:https://memf.org.uk/event/ex-cathedra-an-illustrated-talk-by-jeffrey-skidmore/
LOCATION:Online(Zoom)
CATEGORIES:A415,Online,Recorders,Viols,Voices
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210322T193000
DTEND;TZID=Europe/London:20210322T203000
DTSTAMP:20260515T050458
CREATED:20210222T145759Z
LAST-MODIFIED:20210310T130216Z
UID:2628-1616441400-1616445000@memf.org.uk
SUMMARY:Renaissance Recycling: an instrumental  workshop (singers welcome) with Alison Kinder
DESCRIPTION:Reusing old material is not a new concept – Renaissance composers did it all the time\, sometimes with their own material and sometimes with someone else’s. We’ll look at two such examples in this workshop\, in both cases a kind of ‘upcycling’ from a short initial motet or chanson into an entire mass. \nThe first is a composer reworking his own material: Giovanni Pierluigi da Palestrina’s beautiful 6-voice motet Tu Es Petrus is then gloriously expanded into a mass\, not once\, but twice! The first Missa Tu Es Petrus is also for 6 voices\, but then he gets a bit carried away and does a setting for 18 voices in three choirs\, still based on the same material. We’ll do the motet and a movement from the 6-voice mass\, and if we’re feeling very brave then maybe the Kyrie of the three choir version…! The second example is where one composer borrows a piece by someone else. At that time it was thought of as a compliment – today we’d call it plagiarism! The original piece is the beautiful 4-part chanson by Josquin\, Mille Regretz\, and the recycling is done by Cristobal de Morales\, who uses it as the basis for a 6-voice mass setting. \nAlison Kinder read Music at Oxford and then studied viol with Alison Crum at Trinity College of Music\, being awarded the college’s Silver Medal for Early Music Studies. Her love is of viols in all shapes and sizes\, from soundpost-less Renaissance instruments to 7-string baroque basses. Alison is an enthusiastic teacher both privately and on courses\, and she runs the Rondo Viol Academy with fellow teacher and player Jacqui Robertson-Wade. \nPlease book below:
URL:https://memf.org.uk/event/renaissance-classics-an-instrumental-workshop-with-alison-kinder/
LOCATION:Zoom
CATEGORIES:brass,Loud wind,Online,Recorders,Strings,Viols,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200613T100000
DTEND;TZID=Europe/London:20200613T170000
DTSTAMP:20260515T050458
CREATED:20200124T175452Z
LAST-MODIFIED:20200604T173016Z
UID:1526-1592042400-1592067600@memf.org.uk
SUMMARY:Handel: Judas Maccabeus - postponed to 2021
DESCRIPTION:Workshop for Voices and Instruments with Tutor Justin Doyle + AGM.  \nInformation and booking details available end of March
URL:https://memf.org.uk/event/handel-judas-maccabeus-saturday-13th-june/
LOCATION:Knowle Village Hall\, St John’s Close\, Knowle\, Solihull\, B93 0NN\, United Kingdom
CATEGORIES:A415,brass,Recorders,Strings,Viols,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200321T100000
DTEND;TZID=Europe/London:20200321T170000
DTSTAMP:20260515T050458
CREATED:20190908T195209Z
LAST-MODIFIED:20200317T171000Z
UID:1404-1584784800-1584810000@memf.org.uk
SUMMARY:Johann Rosenmüller
DESCRIPTION:Workshop for voices and Baroque instruments (A=415) with William Carslake.  \nFollowing his early career in Leipzig\, Rosenmüller spent over twenty years in Venice where he was Maestro di Coro at the Ospedale della Pieta (like Vivaldi after him). At the end of his career he returned to Germany and settled in Wolfenbuttel. There is a fine blend of Italian and German styles in these appealing and approachable pieces of sacred music which show the influence of both Corelli and Schütz. Before emigrating to Italy in the late 1650s Rosenmüller had already been there briefly in 1645/46 and the trip had a decisive influence on his style. This can be heard in his two famous collections of 1648 and1652/3\,the Kern -Spruche (Core Sayings) and Andere Kern Spruchen (Other Core Sayings )The word painting is evocative and the sudden turns of harmony can take you\nby surprise! If you don’t yet know him you’re in for a treat. \nRepertoire: Rosenmüller\, Siehe an die Werke Gottes\nRosenmüller\, Lauda Jerusalem\nRosenmüller\, Also hat Gott\nRosenmüller\, Magnificat \nInstruments: One harpsichord and one chamber organ (or electronic organ) at A415 or two harpsichords at A415.\nOne or two theorbos. All keyboard and theorbo players need to be comfortable reading figured bass.\nStrings with baroque set ups\, or modern instruments with gut strings and baroque bows:\n    violins; violas or tenor/bass viols; baroque cellos\nSackbuts\, cornets\, curtals and recorders are welcome. \nTutor\nWilliam is Artistic Director of Farnborough Symphony Orchestra\nand Imperial College Sinfonietta and was Music Director for the Royal Ballet’s Elizabeth in\n2018 and 2016. He is passionate about Renaissance and Baroque music and directs\nprogrammes for EMF forums\, Lacock Choral Courses and Benslow Music. (more on the leaflet available below)
URL:https://memf.org.uk/event/workshop-for-voices-and-baroque-instruments/
LOCATION:Coton Centre\, Tamworth\, Church Comberford Road\, Tamworth\, B79 9AA\, United Kingdom
CATEGORIES:A415,brass,Recorders,Strings,Viols,Voices
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190713T100000
DTEND;TZID=Europe/London:20190713T170000
DTSTAMP:20260515T050458
CREATED:20190404T145022Z
LAST-MODIFIED:20190410T111101Z
UID:1292-1563012000-1563037200@memf.org.uk
SUMMARY:The Delights of Summer
DESCRIPTION:A workshop with Tutor Alison Kinder for all voices and instruments enjoying the delights of Summer. A time when The Leaves be Green\, Fair Phyliss is to be found feeding her flock\, nymphs and shepherds are courting and dancing\, and All Creatures Now Are Merry Minded. We’ll have a predominantly English day\, with composers including Wilbye\, Farmer\, Bennett and Morley. Such as John Bennett’s ‘All Creatures Now’ (5-part)\, and the Morley ‘Hard By A Crystal Fountain’ (6-part)\, and Farmer ‘Ye Blessed Bowers’ (8-part). \nWe welcome all voices\, strings (viols and violin family)\, recorders\, brass\, housetrained double reeds and wind caps (it would be wise to have a quieter alternative instrument or voice with you too for the daintier nymph and shepherd moments…!) \nFind the details in the leaflet below.
URL:https://memf.org.uk/event/the-delights-of-summer/
LOCATION:St George’s Church\, Rugby\, St.John's Avenue\, Hillmorton\, Rugby\, CV22 5HR\, United Kingdom
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Viols,Voices,woodwind
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190316T100000
DTEND;TZID=Europe/London:20190316T170000
DTSTAMP:20260515T050458
CREATED:20181201T211333Z
LAST-MODIFIED:20181204T151719Z
UID:1220-1552730400-1552755600@memf.org.uk
SUMMARY:Purcell: The Fairy Queen
DESCRIPTION:The Fairy Queen\, composed by Henry Purcell in 1692\, is written in the form most popular with the audiences of the day – a play with substantial incidental music\, with each of its five acts completed with an extended masque: a Restoration spectacular – following the huge success of Dioclesian and King Arthur. The libretto is an anonymous adaption of Shakespeare’s wedding comedy – A Midsummer Night’s Dream. Purcell did not set any of Shakespeare’s text to music; music was to be played as the audience took their seats and also to be played between the acts. The music for short masques in nearly every act\, presented by Titania and Oberon\, is subtly related to the action in the play and makes reference to King William and Queen Mary.\nAs in King Arthur the principal characters do not sing\, unless they are supernatural\, pastoral or drunk! Secondary characters sing to them\, usually as entertainment\, or as supernatural beings.\nWe shall need plenty of singers. There may be a chance to include some of the short solos and ensembles\, especially where they lead straight in to a chorus. At the moment we cannot be more specific but if you are interested please contact Sheila Koch the organiser\,saying whether you sing Soprano 1\, Soprano 2\, Alto or Counter Tenor\, Tenor\, Bass. \nThe orchestration is for 2 recorders\, 2 oboes\, 2 trumpets\, timpani\, strings and continuo. Pitch will be A-415. \nJohn Hancorn \nJohn Hancorn is music director of various choral groups in the Sussex area and has directed performances of Bach\, Monteverdi and Purcell\, among others\, for the Brighton Early Music Festival. John leads vocal workshops and masterclasses  specialising in baroque repertoire\, including regular visits to Early Music Fora and ‘Sing and Discover’ days with Richard Wigmore throughout the UK. He teaches at Trinity Laban College of Music\, the University of Chichester\, East Sussex Academy of Music and Lancing College. He directed chamber choir courses at Dartington for many years and is a tutor at AIMS International Music School. John was a popular tutor for Purcell’s King Arthur in 2017.
URL:https://memf.org.uk/event/purcell-the-fairy-queen/
LOCATION:Selly Oak Methodist Church Hall\, Langleys Road\, Birmingham\, B29 6HT\, United Kingdom
CATEGORIES:A415,brass,Recorders,Strings,Viols,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20181201T100000
DTEND;TZID=Europe/London:20181201T170000
DTSTAMP:20260515T050458
CREATED:20180620T135221Z
LAST-MODIFIED:20181112T230807Z
UID:1064-1543658400-1543683600@memf.org.uk
SUMMARY:In Dulci Jubilo - Seasonal music by Praetorius
DESCRIPTION:Workshop for voices and all instruments exploring Christmas motets by Michael Praetorius\, tutored by Steven Devine
URL:https://memf.org.uk/event/music-to-be-announced/
LOCATION:West Orchard United Reformed Church\, 83 Baginton Road\,Styvechale\, Coventry\, CV3 6FP\, United Kingdom
CATEGORIES:A440,Loud wind,Recorders,Strings,Viols,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20180707T090000
DTEND;TZID=Europe/London:20180707T160000
DTSTAMP:20260515T050458
CREATED:20180520T152656Z
LAST-MODIFIED:20180618T100808Z
UID:938-1530954000-1530979200@memf.org.uk
SUMMARY:Verse anthems
DESCRIPTION:Workshop for voices and viols @ pitch A415
URL:https://memf.org.uk/event/verse-anthems/
LOCATION:Solihull Methodist Church\, Blossomfield Road\, Solihull\, B91 1LG\, United Kingdom
CATEGORIES:A415,Viols,Voices
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