Who has heard of Johann Casper Kerll? …………… neither have I, but David Hatcher clearly has. Come to Rugby on July 11th and explore his Missa in Fletu Solatium – some of the music with which he made a name for himself in Vienna in the 1640s and which influenced many composers such as Bach and Handel. All singers, string and wind players (pitch A440) welcome. See events page to book.
March brings an fascinating look at three 16th century composers – Palestrina, Victoria and de Padilla – with Nigel Short, director of Tenebrae. Following in April we commemorate our late Chairman Edwin Griggs with a workshop on Three Generations of the Bach family tutored by Paul Spicer. This not only has a reduced fee but also a free buffet lunch to celebrate! Then in May we have an informal half day singing Madrigals one, two or more to a part according to taste. Come and join in!
The New Year Revels having sadly been cancelled, the first workshop in 2015 will be for Baroque instrumentalists in February, tutored by Martin Perkins,Head of Early Music at the Birmingham Conservatoire. Singers can look forward to exploring Palestrina, Victoria and de Padilla in March with Nigel Short, Director of Tenebrae.
In the depth of winter, on January 17th, why not head to a warm village hall in Dorridge for our annual Revels! The excellent David Hatcher will tutor an afternoon workshop for singers and Renaissance instruments- to include a 12 part Magnificat by the Polish Nicolai Zielenski – and lead us later in dancing. At 7.15 we will enjoy traditional hot punch and a ‘bring and share’ supper and the evening will continue after the dancing with informal performances from MEMF ensembles.
We look forward to singing parts of Dido and Aeneas and the Fairy Queen at our next workshop with Steven Devine who has a busy career as a keyboard player, both solo and continuo, and Music director, working with many prestigious Ensembles such as the Orchestra of the Age of Enlightenment and London Baroque.He is known to be an excellent and humorous Tutor so do come and join us at Selly Oak Methodist Church in Birmingham on 15th November.
The leaflet and booking form are now available for downloading for this exciting workshop with William (Bill) Hunt. Well-known for his work in London Baroque, Fretwork and the Dunedin Consort, he has also taught at various conservatoires and run workshops and residential courses across Europe. He founded Fretwork Publishing and now devotes much of his time to this enterprise, and to researching the Verse Anthem.
This musical form arose from the principles of the Reformation, which demanded clarity of the text in sacred music. Many of the greatest names in English music before the Civil War composed in this form and the workshop will be concentrating on Tomkins but also touching on Gibbons and/or Byrd.
Put 27th September in your diary now and don’t forget to book, all you singers, violists and recorder players!
At the heart of Christian worship is the Sacrament of the Eucharist. C16 composers wrote music of superlative quality to honour this sacrament. We will sing a selection of this music- including Motets by Tallis, Guerrero, Willaert, Byrd, Gabrieli and Josquin.
Where else would you have the opportunity to sing such a wonderful selection of music in one day!
Our Tutor, David Allinson, is well known to many of us, and alwaysavery popular tutor…. we have been waiting eagerly for his return to lead another workshop.
David has directed numerous workshops and summer schools in UK and abroad.
He has conducted the Renaissance Singers and has his own ensemble, Cantores.
He is currently Director of Music at Canterbury Christchurch University, and prior to that was a Teaching Fellow at Bristol University.
David studied music at St Peter’s College, Oxford and University College, Durham and completed his PhD at Exeter University. The history and performance of Renaissance Choral Music has always been his specialism, so he is a perfect tutor for this workshop which is being held in Harborne.
Click for the downloadable Leaflet and booking form 5th July 2014
We are sad to announce the untimely death of our Chairman, Edwin Griggs. Edwin was elected as Chairman following the retirement of Jim Rowley in 2010 and had been busy carrying out the role very successfully until his health deteriorated. So many pieces unplayed, so many songs yet to sing. We will miss him.
In May we have another spectacular weekend workshop with Philip Thorby, who just gets better and better. This time the music will be from the Florentine Intermedii, originally written for the grand wedding of Ferdinando de Medici and Christine of Lorraine in 1598, The music is based on Mythological stories and culminates in a wonderful toe-tapping dance tune, a big hit in its day! Many fine composers contributed including Cavalieri, Malvezzi, Marenzio, Peri, Bardi and Caccini. As well as voices there are parts for many renaissance instruments including lutes, sackbuts, curtal, harpsichord, guitar, 2 violins, bass viols and even 4 recorders. Instrumentalists in particular need to book early so we can get the right balance.
We are delighted to welcome back Graham O’Reilly to run the next MEMF workshop.
Graham O’Reilly, founder of the “Ensemble William Byrd”, has lived in France for more than 30 years. Originally from Australia, he studied at University of Sydney before coming to England to work as a Singer and Music Director. Graham continues to Direct “Ensemble William Byrd”, with whom he has made many highly acclaimed recordings. He also works throughout Europe as a Choral Conductor and Vocal Trainer, and is in great demand to lead masterclasses and workshops. Graham has run two previous workshops for MEMF, which were very successful and enjoyable:- Carissimi’s “Jeptha, and more recently, a wonderful Portugese Polychoral workshop..
The music we will be studying on 22nd February is Polychoral music of Marc-Antoine Charpentier (1643-1704), which was very much influenced by the years he spent studying in Italy with Carissimi. We hope to include Extremum dei judicium (H.24) for double Chorus and Baritone solo; and Salve Regina (H.24) for 3 Choirs.
We need plenty more singers for the 2 and 3 choir pieces, but we already have enough instrumentalists (unless there is a keen keyboard player who would like to help out with reading figured bass on the second keyboard part!).
Bookings please by February 8th.
For a sneak preview, go to Amazon where Graham’s recording of Charpentier choral music is available as an mp3 download.