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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240713T103000
DTEND;TZID=Europe/London:20240713T170000
DTSTAMP:20260406T150509
CREATED:20240512T173407Z
LAST-MODIFIED:20240602T190344Z
UID:10927-1720866600-1720890000@memf.org.uk
SUMMARY:Music for the Dedication of St Gertrude's in Hamburg 1607 with David Hatcher on 13th July 2024
DESCRIPTION:This workshop is appropriate for players of strings (violin and viol families)\, sackbuts\, cornetts\, double reeds (yes\, crumhorns too\, if a quorum can be reached!)\, recorders\, lutes\, keyboards and of course\, voices. Pitch will be A440. \nWe shall be working on music by Michael and Hieronymus Praetorius\, Orlando di Lasso\, Pierre Bonhomme and their contemporaries that was performed during a service in 1607 for the dedication of the church of St. Gertrude in Hamburg. \n“… After that was sung the Introit In nomine Jesu in eight parts by Bandovius [Bonhomme]. Next followed the Missa super Deus misereatur nostri\, also in eight parts\, by the excellent composer Orlando [di Lasso]. Instead of the Sequence was sung Alleluia by Handl [Jacobus Gallus]\, composed for twelve parts\, but in three choirs. The first choir was sung by the boys and musicians in the chancel\, the second [was played] by cornetts and sackbuts\, the third by the organ… After that was sung Herr Gott dich loben wir\, which Hieronymus Praetorius\, our church organist\, has composed for sixteen parts in four choirs… Following that was also sung the Cantate [Domino] in eight parts\, by the same Hieronymus Praetorius\, by the choir\, organs\, cornetts\, and sackbuts all together. To conclude\, Sei Lob und Ehr mit hohem Preis was sung by the congregation\, choir\, organ\, and instruments.” \nHamburg\, 7 January\, 1609\, Lucas van Cöllen\, Pastor of St. Jacobi in that city. \nThe music is a fascinating snapshot of the German response to Monteverdi’s works in Italy\, including the Vespers of 1610\, showing considerable experimentation and inventiveness in the movement towards the baroque splendour of later years. \nThe tutor: David Hatcher is well known to MEMF regulars. David was born in Warwick and upon attaining the LTCL diploma two years after taking up music\, he went on to study viola da gamba with Charles Medlam and recorder with Philip Thorby at Trinity College of Music\, London. He began his career based in England\, touring America\, Israel\, France\, Germany and the Netherlands. He has broadcast for both the BBC and independent radio and television. In 1987 he moved to Japan where he was to remain for the next 9 years\, taking an active part in that country’s flourishing early music scene. He has recorded with Evelyn Tubb\, The Consort of Musicke\, I Fagiolini\, Sprezzatura\, and the Japanese ensembles Chelys\, Ensemble Ecclesia and the Bach Collegium of Japan. \nDavid now lives in Leominster on the Welsh Marches and has appeared with Fretwork\, The Royal Shakespeare Theatre\, The Globe Theatre\, The Consort of Musicke\, Musica Antiqua of London\, The Corelli Orchestra\, The Harp Consort\, Glyndebourne Opera and many other period orchestras and ensembles. \nHe has taught on numerous summer schools\, including the Cambridge Early Music Summer School\, the Easter Early Music Course at Monmouth and Sastamala Gregoriana in Finland\, and is in demand as a tutor for many weekend and day courses. \nPast projects include performing in Damon Albarn’s opera ‘Dr Dee’ and performing and recording with I Fagiolini in their hugely successful interpretation of Striggio’s 40-voice mass. He performed in the inaugural season of the Sam Wanamaker Playhouse in 2014 and in the highly acclaimed production of The Knight of the Burning Pestle in 2014 & 2015. He is a founder member of The Linarol Consort of Viols\,  the UK’s only consort specialising in the earliest repertoire for that instrument. \nKnowle Village Hall https://knowlevillagehall.co.uk is 1.5 miles away from the M42 Junction 5 and approximately 3.5 miles to the east of Solihull town centre.  Nearby bus stops provide frequent transport links to Solihull Station and Dorridge Station.\nThere is very limited parking on site but there are several carparks very close by – some only take payment with the PayByPhone app. \nBooking is now open – click here for the booking form.\n  \n 
URL:http://memf.org.uk/event/workshop-for-voices-and-instruments-with-david-hatcher-on-23th-july-2024/
LOCATION:Knowle Village Hall\, St John’s Close\, Knowle\, Solihull\, B93 0NN\, United Kingdom
CATEGORIES:A440,brass,Continuo,Loud wind,Recorders,Strings,Viols,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240622T103000
DTEND;TZID=Europe/London:20240622T170000
DTSTAMP:20260406T150509
CREATED:20231128T202012Z
LAST-MODIFIED:20240608T134702Z
UID:8757-1719052200-1719075600@memf.org.uk
SUMMARY:Music by Marc'Antonio Ingegneri with Gareth Wilson on Saturday 22nd June 2024
DESCRIPTION:The workshop is suitable for singers of all voice types plus cornetts\, sackbuts\, dulcian/bassoon\, strings/viols\, theorbo\, organ/harpsichord and recorders\, A=440. \nIntroduction  The Cremonese composer Marc’Antonio Ingegneri (1535/36-92) is remembered chiefly as the teacher of Claudio Monteverdi while\, for well over 400 years\, his own achievements have been left to sit in the shadows. This workshop will look at the music Ingegneri wrote for the major events of the church year\, from Advent through to the Assumption\, allowing participants to experience the extraordinary range of moods achieved and musical techniques employed by a composer whose remaining output is comparatively small but extremely varied. \n  \n \nThe tutor Gareth Wilson is Director of Girton College Chapel Choir\, university of Cambridge\, where he is also an Affiliated Lecturer in the Faculty of Music\, is Director of Music at Christ Church Chelsea\, Academic Professor at the Royal College of Music\, and is an examiner for the Royal College of Organists. While his repertoire covers music spanning over 500 years\, his growing discography has focused upon neglected or unrecorded Renaissance polyphony with instruments. He has now recorded four volumes of music by Marc’Antonio Ingegneri\, all of which have entered the Specialist Classical Charts and have been met with critical praise. \nMusic will be provided on the day if you book by Friday 7th June \nInstrumentalists please bring a labelled music stand \n  \nVenue   St Phillip’s Church Centre\, Manor Road\, Dorridge\, B93 8DX \nTo get to the church\, drive along the B4101 from the Knowle direction into Dorridge and under a railway bridge.  There is a Sainsbury’s garage on the right after the bridge and you need to turn right after this onto Manor Road where the church is immediately on the right.  There is some parking at the church and free street parking by the church and nearby.\nThere is also a large public car park immediately behind the church. To get to it you turn right immediately after going under the railway bridge and before the Sainsbury’s garage.  This is a station over-spill park which is available on Saturdays at £5 for the day. There is a footpath at the back of the car park which takes you to the back door of the church so you do not need to walk all the way round by the road.\nThe station is 5 minutes walk away – 2 left turns then right into Manor Road \nTimetable for the Day \n10 am:           Registration and drinks\n10.30am;       Morning Session with a short break\n1 pm:             Lunch (bring your own or use pubs and cafés nearby)\n2pm:              Afternoon session\n3.30 approx   Tea\n4.00:              Final session\n5.00:              Finish. \nBooking has now closed.\n  \n 
URL:http://memf.org.uk/event/workshop-for-voices-and-instruments-with-gareth-wilson-on-saturday-22nd-june-2024/
LOCATION:St Philip’s Church Centre\, Dorridge\, B93 8DX
CATEGORIES:A440,brass,Continuo,Loud wind,Recorders,Strings,Viols,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20240113T103000
DTEND;TZID=Europe/London:20240113T170000
DTSTAMP:20260406T150509
CREATED:20231018T194701Z
LAST-MODIFIED:20240102T151227Z
UID:8626-1705141800-1705165200@memf.org.uk
SUMMARY:The Battle of Lepanto: workshop with Tutor Gawain Glenton on 13th January 2024
DESCRIPTION:The Battle of Lepanto took place on October 7th\, 1571. This colossal naval battle pitted the combined forces of Europe’s Catholic states (under the overall command of Don Juan of Austria) against the Ottoman Empire and resulted in a major defeat of the Ottoman fleet. Galleys came from Spain\, Genoa\, The Papal States\, Savoy\, Tuscany and elsewhere. The Venetians were the dominant presence however\, providing more than twice as many galleys as any other member of the Holy League. \nFor Venetians the battle of Lepanto became the defining military victory of the era and was celebrated for decades to come – in part because a decisive victory of this magnitude was rather unexpected. It was used as a major propaganda coup and was self-consciously built into the Venetian myth. \nThe focus of the annual celebrations was a procession (or andata) to the church of Santa Giustina culminating in a Mass of thanksgiving. Several Venetian composers wrote large-scale music for this event\, including Giovanni Croce\, Andrea Gabrieli\, Claudio Merulo and Giovanni Bassano. This workshop will explore this fascinating aspect of Venetian musical culture. \nThis workshop is for singers of all voice types\, plus cornetts\, sackbuts\, dulcians and string instruments. Recorder players are welcome\, but should be prepared to also sing and/or play a different instrument. A = 440. \nThe Tutor Gawain Glenton is a specialist cornetto player whose work as a soloist and an ensemble musician takes him all over the world. He is a member and co-director of the English Cornett and Sackbut Ensemble and also a popular workshop Tutor. \nMusic will be provided on the day. \n  \n  \nThe Venue Trinity Church (www.trinitychurchstafford.org.uk) ST16 2BZ\, is a spacious modern building in Stafford town centre. The main church space\, where the workshop will take place\, is on the first floor; a lift is available. The church website includes a link to a map. The church is a ten-minute walk from Stafford railway station. \nDetails of town car parks can be found here and here. Note that some car parks are pay-by-phone only. The church has a small number of parking spaces (about 8); these will be available for those bringing bulky instruments or those with limited mobility. Please telephone or message Tim Boardman if you would like to make use of one of these spaces\, and please try to car-share where possible. Tim’s mobile: 07794 837396. \nPlease note: There are extensive roadworks and diversions in operation around Stafford centre that will continue well into 2024. If you wish to use the long stay Doxey Road car park (no. 13a on the Borough Council map) it is currently accessible from Chell Road by car\, but may not be on the 13th. From the A34 north of the town centre follow the new link road (Pans Road) signposted Telford A518. At the first roundabout take the first exit into the car park\, by Sainsbury’s. Currently\,Trinity Church can be accessed via Chell Road/Broad Street. If there are any changes in the interim affecting access to the church\, I shall post an update on this page. \nNB There is also a small independent car park on Mount Street\, immediately behind Trinity Church: SIP Car Parks Limited Sheridan Centre Mount Street Stafford ST16 2BZ. Charge is £5 for the day. It does tend to fill up quite early\, but may be worth a try as it is cheap and convenient. \nBooking is now open – please scroll down for the booking form.
URL:http://memf.org.uk/event/the-battle-of-lepanto-workshop-with-tutor-gawain-glenton-on-13th-january-2024/
LOCATION:Trinity Church\,Stafford
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20231202T103000
DTEND;TZID=Europe/London:20231202T170000
DTSTAMP:20260406T150509
CREATED:20230612T135759Z
LAST-MODIFIED:20231128T180022Z
UID:8272-1701513000-1701536400@memf.org.uk
SUMMARY:Angels and Shepherds: Christmas workshop with Philip Thorby on Saturday 2nd December 2023
DESCRIPTION:Angelus ad Pastores \nThis year we have invited Philip to tutor our pre-Christmas workshop. Philip has found some wonderful music on the theme of Angels and Shepherds in the Christmas story. There will be music by Christoph Buehl\, Hans Leo Hassler\, Johann Hermann Schein and Agostini Soderini. \nThe angels are generally\, well\, angelic\, but the shepherds are revealed as zither-strumming\, boisterous and (as depicted by Schein) initially very grumpy at being woken up by the heavenly host. \nThe workshop will be for voices\, violins\, viols\, cornetts\, sackbuts\, curtals\, recorders and continuo. The pitch will be A440. Tenor viol players/violas please note that most  pieces have octave-treble rather than alto clef parts. \nInstrumentalists please bring a labelled music stand. \n\n \nPhilip Thorby is one of our most popular and respected tutors. He specialises in early Italian Music. Many people will have seen his wonderful Zoom lectures during the lockdown period\, which are still available to watch on this website. \n  \n  \n  \nVenue is Solihull Methodist Church\, next to the Railway station SatNav B91 1LG. There is a large car park with the entrance in Station Approach. \nNB: If approaching from the west along Blossomfield Road\, please note that recent road layout changes mean there is no left turn into Station Approach. Either go completely around the roundabout and then turn right into Station Approach\, or take the first exit at the roundabout into Streetsbrook Road and then turn left into the opposite end of Station Approach at the traffic lights. \nBooking is now closed.
URL:http://memf.org.uk/event/christmas-workshop-for-voices-and-instruments-with-philip-thorby/
LOCATION:Solihull Methodist Church\, Bossomfield Road\,\, Solihull\, B91 1LD\, United Kingdom
CATEGORIES:A440,brass,Continuo,Loud wind,Recorders,Strings,Viols,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230909T103000
DTEND;TZID=Europe/London:20230910T170000
DTSTAMP:20260406T150509
CREATED:20221203T202546Z
LAST-MODIFIED:20230831T163320Z
UID:7525-1694255400-1694365200@memf.org.uk
SUMMARY:William Byrd weekend- two workshops 9th & 10th September with Alison Kinder & Helen Charlston (9th only)  + AGM
DESCRIPTION:To mark the 400th anniversary of William Byrd’s death we present two individual workshops this weekend and a short concert on Saturday at 5.30 pm. \nThe MEMF  AGM will take place in the lunch break on the Sunday. \n\n\n\n\n\n\n\n\n\n\n\n\nSaturday 9th September 2023\nPsalms\, Songs and Sonnets of 1588\nwith Tutors Alison Kinder and Helen Charlston \nThis workshop is the first of MEMF’s celebratory Byrd weekend and will focus on small-scale pieces for voices and instruments. This day is for viols\, low recorders (especially basses\, great- and contra- basses) and voices\, and will focus on pieces from the ‘Psalms\, Songs and Sonnets’ of 1588. Pitch A=440 \nThe Music is likely to include Blessed Is He\, All As A Sea\, Though Amaryllis Dance\, but will be chosen to best suit the forces available once applications have closed. We will spend time all together\, but also have access to a couple of breakout rooms where instrumentalists will be able to work on a consort song with Helen singing. The day will finish with an informal mini-concert to include pieces we have worked on. \nIn addition\, you are invited to submit for performance at the mini concert a piece of Byrd (or Weelkes) prepared in advance\, for any forces (so a viol fantasy\, consort song\, madrigal…).  Please email Jill Davies (daviesmusic@btinternet.com) before 6 September if you would like to offer a piece for the concert.  Friends and relatives are welcome to attend at 5.30 pm. \nSunday 10th September 2023\nWilliam Byrd on a Grand Scale\nThe Sunday workshop is for everyone – Singers\, viols\, recorders\, brass\, double reeds\, anything at pitch A=440 – and will be Tutored by Alison Kinder. Everyone is welcome singing or playing as we celebrate this masterful composer. \nThe Music\nByrd – The Great Service (Magnificat and Nunc Dimittis)\nByrd – Domine Quis Habitabit a9\nWe thought that as Thomas Weelkes shares Byrd’s anniversary\, we ought to allow him a piece as well!  So we will include a Weelkes anthem – either ‘Hosanna to the Son of David’\, or ‘O Lord Arise’ \nMusic will be provided on the day.        Instrumentalists please bring a labelled music stand \n\n\n\n\n\n\n\nTheTutors \n \nSince winning the London Handel Singing Competition in 2018\, Helen Charlston has crafted a place for herself at the forefront of the classical music scene in the UK and abroad. A founder participant of the Rising Star of the Enlightenment programme\, she regularly works alongside the Orchestra of the Age of Enlightenment. She is a BBC New Generation Artist (2021-23) and recently won the 2023 BBC Music Magazine Vocal Awards.\nhttps://www.helencharlston.com/ \n  \n  \n\n\n\n\n\n\n\nAlison Kinder is a viol player with Chelys Consort of Viols\, who this year released a recording of consort songs and instrumental music by William Byrd with Helen singing. Alison is a regular tutor for the various early music fora and on courses including the Easter Early Music Course and NORVIS. She is also a member of the Linarol Consort\, who play on a set of viols copied from the earliest surviving viol\, made in Italy by Francesco Linarolo in about 1540. Alison has a love of working with singers\, and one of her favourite places to be is as the viol player for the female polyphonic ensemble Musica Secreta.\nhttps://www.alisonkinder.co.uk/\nhttps://linarolconsort.com/ \n\n\n\nVenue: Knowle Village Hall is 1.5 miles away from the M42 Junction 5 and approximately 3.5 miles to the east of Solihull town centre.  Nearby bus stops provide frequent transport links to Solihull Station and Dorridge Station. \n  \nBooking is now open – please scroll down\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 
URL:http://memf.org.uk/event/william-byrd-two-days-with-alison-kinder-9th-10th-september-20123/
LOCATION:Knowle Village Hall\, St John’s Close\, Knowle\, Solihull\, B93 0NN\, United Kingdom
CATEGORIES:A440,brass,Continuo,Loud wind,Recorders,Strings,Viols,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20230225T100000
DTEND;TZID=Europe/London:20230225T170000
DTSTAMP:20260406T150509
CREATED:20221203T185542Z
LAST-MODIFIED:20230120T195311Z
UID:7510-1677319200-1677344400@memf.org.uk
SUMMARY:The Noodle Factory  with Paula Chateauneuf on 25th February 2023
DESCRIPTION:The Noodle Factory is a gentle introduction to the art of improvisation\, ornamentation and decoration in the manner of the great 16th- and 17th-century Improvisation Masters. \nSome people think one needs to be born with an ‘Improvisation Gene’ to be able to extemporise\, but this couldn’t be further from the truth.  All that’s required is to learn some basic techniques which can be ‘plugged in’ to a given situation.  16th- and 17th-century writers recognised this\, and their fascinating improvisation manuals contain all the materials you could ever need or want to learn to improvise\, and expand your ear and musical imagination.  This workshop will be a taster session for anyone who would like to try their hand at doing some early improvisation – it’s very informal and no prior improvisation or early music experience is necessary to take part.  However this course is designed to be inclusive – more experienced improvisers are also welcome and will benefit just as much. \nThe day will consist of various sessions during which different aspects of early improvisation will be covered\, starting with a brief introduction to each subject.  We’ll explore the materials in 16th- and 17th-century manuals and how to use them practically\, and then apply those techniques to learn to extemporize on ground basses\, create variations on popular tunes\, and add your own graces and ornamentation to pre-composed pieces.  There will be both solo and ensemble opportunities.  Improvisation enhances\, intensifies\, and ‘seasons’ performances\, and helps you to make a piece your own.  Singers and instrumentalists are welcome (Pitch A+440) – come along and dip your toe in the water! \nThe Tutor: Paula Chateauneuf’s playing has been described as “one of the most exciting things on the pre-classical concert circuit”.  A Fulbright Scholar to London\, she soon established herself there as one of early music’s leading soloists and ensemble players and became the linchpin of numerous groups including the Gabrieli Consort\, New London Consort and Sinfonye.  She has also performed with the Academy of Ancient Music\, Orchestra of the Age of Enlightenment\, English Concert\, His Majestys Sagbutts and Cornetts\, Handel and Haydn Society\, Avison Ensemble\, De Nederlandse Bachvereniging\, and Jordi Savall’s Le Concert des Nations. \nPaula’s repertoire spans medieval music to the baroque\, with particular expertise in early improvisation and the music of early 17th-century Italy.  Her knowledge and skill in the art of basso continuo has made her one of the most sought-after accompanists in early music\, resulting in fruitful collaborations with many leading singers.  Her wealth of experience in early opera has led to involvement as both repetiteur and continuo player for numerous international opera houses\, including Bayerische Staatsoper\, Maggio Musicale Fiorentino\, Royal Opera House\, English National Opera\, and Glyndebourne Festival Opera. \nVenue Dorridge Village Hall is at the end of a driveway (with a height barrier) off the B4101 between Dorridge and Hockley Heath and is easy to reach from the M42.. The satnav is not pinpoint accurate so when you get near look for :the following: \nFrom Hockley Heath\, the driveway to the Hall is the first right after the Railway pub\, before the “Welcome to Dorridge” signs and the start of the built-up area. \nFrom Dorridge centre\, the driveway to the Hall is the first left after Dorridge Park. If you get to the Railway pub you have gone too far. \nBooking is now open until 17th February – scroll down for the booking form.
URL:http://memf.org.uk/event/improvisation-with-paula-chateauneuf-on-25th-february-2023/
LOCATION:Dorridge Village Hall\, Grange Road\, Dorridge\, B93 8QA
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20221217T100000
DTEND;TZID=Europe/London:20221217T170000
DTSTAMP:20260406T150509
CREATED:20220910T145220Z
LAST-MODIFIED:20221106T190707Z
UID:6917-1671271200-1671296400@memf.org.uk
SUMMARY:Benevoli Mass for four choirs c 1650 with Robert Hollingworth
DESCRIPTION:Expect a wonderful day with one of our favourite Tutors to get you in the spirit of Christmas! Robert has not told us which of Benevoli’s four masses we will be singing – he is still editing them! This is an opportunity to discover a really important figure – a lost link if you like – in the world of multi-choir music in the mid-seventeenth century: ORAZIO BENEVOLI.  We will get to know a newly edited mass for four choirs and this time (unlike so much Venetian music) the choirs are manageable by all voices so plenty of male voices please \nWe will also be singing Sweelinck’s Hodie Christus Natus Est to get us in the Christmas spirit and there will be mince pies! \nPitch =A440 suitable for strings\, recorders\, cornetts\,  sackbuts and dulcians doubling the choral parts\, and continuo including theorbo and bass instruments. \nRobert founded I Fagiolini in 1986 and has spent much of his life thinking around how to present music of a different time and context to contemporary audiences.  He has presented all the group’s signature projects but also directed the English Concert\, Academy of Ancient Music\, BBC Concert Orchestra and some of the world’s finest chamber choirs including Accentus\, NDR Chor\, BBC Singers\, RIAS Kammerchor\, Capella Cracoviensis\, VOCES8 and the Danish National Vocal Ensemble. He succeeds Mark Deller as Artistic Director for the Stour Music festival from 2020\, and is Reader in Music at the University of York where he directs ‘The 24’ and runs an MA in Solo-Voice Ensemble Singing.  During lockdown he created and presented ‘Sing The Score’ on Youtube and the podcast ‘Choral Chihuahua’ with Eamonn Dougan and Harry Christophers.  He likes Monteverdi and Monty Python.   \nBooking is now open..
URL:http://memf.org.uk/event/benevoli-mass-for-four-choirs-c-1650-with-robert-hollingworth/
LOCATION:St Philip’s Church Centre\, Dorridge\, B93 8DX
CATEGORIES:A440,brass,Continuo,Recorders,Strings,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220521T100000
DTEND;TZID=Europe/London:20220521T170000
DTSTAMP:20260406T150509
CREATED:20220212T193746Z
LAST-MODIFIED:20220414T202311Z
UID:4530-1653127200-1653152400@memf.org.uk
SUMMARY:Music by Rosenmüller with Tutor William Carslake
DESCRIPTION:Johann Christian Rosenmüller\n \nFollowing his early career in Leipzig\, Rosenmüller spent over twenty years in Venice where he was Maestro di Coro at the Ospedale della Pieta (like Vivaldi after him).  At the end of his career he returned to Germany and settled in Wolfenbuttel.  There is a fine blend of Italian and German styles in these appealing and approachable pieces of sacred music which  show the influence of both Corelli and Schütz.  Before emigrating to Italy in the late 1650’s Rosenmüller had already been there briefly in 1645/46 and the trip had a decisive influence on his style.  This can be heard in his two famous collections of 1648 and 1652/3\, the Kern Spruchen (Core Sayings) and Andere Kern Spruchen (other Core Sayings).  The word painting is evocative and the  sudden turns of harmony can take you by surprise!  If you don’t yet know him you’re in for a treat. \nWe will be studying   “Siehe an die Werke Gottes”\, “Lauda Jerusalem”\, “Also hat Gott” and a Magnificat \nThis is a workshop for Voices and the following Instruments: \nOne harpsichord and one chamber organ (or electronic organ) at A415  or two harpsichords at A415 and one or two theorbos.  All keyboard and theorbo players need to be comfortable reading figured bass. \nStrings with baroque set ups\, or modern instruments with gut strings and baroque bows: violins\, violas or tenor/bass viols\, baroque cellos. \nSackbuts\, cornets\, curtals and recorders are welcome. \nBill Carslake \n \nBill studied singing with David Lowe at Cambridge and Peter Alexander Wilson at Royal Scottish Academy of Music\, and orchestral conducting with Martyn Brabbins\, Jorma Panula and Ilya Musin. He was a busy bass-baritone before he decided to focus exclusively on conducting and composing. He composes music inspired by outdoor places such as Greenland and is a 2018/19 Finzi Scholar for his current composition project about Mountain Hares. He is Artistic Director of Farnborough Symphony Orchestra and Imperial College Sinfonietta and was Music Director for the Royal Ballet’s Elizabeth in 2018 and 2016. He is passionate about Renaissance and Baroque music and directs programmes for EMF forums\, Lacock Choral Courses and Benslow Music.  He is a Trustee of the Elgar Foundation. \nMusic will be provided on the day. \nInstrumentalists please bring a labelled music stand. \nPlease book below and then scroll down to make sure you have succeeded.
URL:http://memf.org.uk/event/rosenmuller-with-tutor-will-carslake/
LOCATION:St Philip’s Church Centre\, Dorridge\, B93 8DX
CATEGORIES:A415,brass,Continuo,Loud wind,Recorders,Strings,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20220205T100000
DTEND;TZID=Europe/London:20220205T170000
DTSTAMP:20260406T150509
CREATED:20211010T204723Z
LAST-MODIFIED:20220111T152106Z
UID:3852-1644055200-1644080400@memf.org.uk
SUMMARY:The Gabrieli Times Table with Tutor Alison Kinder
DESCRIPTION:This will be an innovative multi choir day of music by Giovanni Gabrieli\, with Tutor Ali Kinder\, increasing the choir numbers as we go from 6 parts\, to 8 parts (two choirs)\, to 12 parts (three choirs) and 14 parts (three choirs) \nWe welcome all singers and instrumentalists (strings\, recorders\, reeds and brass all welcome) Pitch A=440. Fees for MEMF and other EMF members is £18\, non-members £23. \n  \nGiovanni Gabrieli\nNephew of the great Andrea Gabrieli and student of Orlando Lassus\, Giovanni Gabrieli held the posts of both principal organist and principal composer at the basilica of St Mark’s in Venice. This workshop will look at four pieces from his vast output\, two with sacred texts and two secular. As well as being beautiful music\, it will hopefully be fun to witness the expansion of our ensemble into ever increasing numbers of parts during the day! \n  \nAlison Kinder read Music at Oxford and then studied viol with Alison Crum at Trinity College of Music\, being awarded the college’s Silver Medal for Early Music Studies. Her love is of viols in all shapes and sizes\, from soundpost-less Renaissance instruments to 7-string baroque basses. Alison is an enthusiastic teacher both privately and on courses\, and she runs the Rondo Viol Academy with fellow teacher and player Jacqui Robertson-Wade \n  \nBooking now open – please scroll down
URL:http://memf.org.uk/event/the-gabrieli-times-table-with-tutor-alison-kinder/
LOCATION:Dorridge Village Hall\, Grange Road\, Dorridge\, B93 8QA
CATEGORIES:A440,brass,Recorders,Strings,Viols,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211204T100000
DTEND;TZID=Europe/London:20211204T170000
DTSTAMP:20260406T150509
CREATED:20210818T191733Z
LAST-MODIFIED:20211108T122449Z
UID:3559-1638612000-1638637200@memf.org.uk
SUMMARY:Christmas Workshop with Steve Davis
DESCRIPTION:Our Christmas Live Workshop will be a joyful day with Steve Davis and this time festive refreshments will be provided. \nThe workshop will explore three works – Gabrieli: In Ecclesiis\, Schütz: Weinachtshistorie and Sweelink: Hodie Christus Natus Est. There will be opportunities for some solo singing and some interesting instrumental playing as well as ensemble work\, with a run through of some of the music at the end of the day. \nWe welcome all voices\, cornets/trumpet\, sackbuts/trombones\, recorders\, viols\, violins and continuo instruments. The pitch will be A440 and the cost for the day is £18 for MEMF and other EMF members\, non – members £23 \n   \n  \nTo get to the church you drive along the B4101 from the Knowle direction into Dorridge and under a railway bridge.  There is a Sainsbury’s garage on the left after the bridge and you need to turn right after this onto Manor Road. The church is immediately on the right.  There are plenty of disabled parking places and a few others.  However\, there is a large public car park immediately behind the church. To get to it you turn right immediately after going under the railway bridge and before the Sainsbury’s garage.  This is a station over-spill park which is free at weekends. The signs do not point this out\, but this has been confirmed by Chiltern Railways and the Council. \n \n \nStephen began singing lessons with the late Mary Parsons\, and subsequently went to the Birmingham Conservatoire where he studied singing with Brian Raynor-Cook and conducting with Roy Wales and Jonathan Delmar. After graduating with distinction\, he studied with Jessica Cash\, Pamela Cook\, Andrew King and Ian Partridge. He has been a regular soloist with many of the leading choirs in the Midlands\, most notably Ex Cathedra\, the region’s foremost chamber choir\, and has also sung with the Britten Singers\, Northern Voices\, London Voices\, The Academy of Ancient Music and The Schütz Choir of London.  He is musical director for Halesowen Choral Society\, having been appointed in 2004. He also works as guest conductor for several other choirs in the Midlands.  He has recently retired from teaching singing at Malvern College\, and as music librarian for Ex Cathedra (although remaining a singer with the choir). \nPlease scroll down for the booking form.
URL:http://memf.org.uk/event/schutz-gabrieli-workshop-with-steve-davies/
LOCATION:St Philip’s Church Centre\, Dorridge\, B93 8DX
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Voices,woodwind
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20211023T100000
DTEND;TZID=Europe/London:20211024T170000
DTSTAMP:20260406T150509
CREATED:20210627T182614Z
LAST-MODIFIED:20210920T182844Z
UID:3437-1634983200-1635094800@memf.org.uk
SUMMARY:Welcome to Beautiful Venice - with Philip Thorby
DESCRIPTION:Philip will introduce us to a feast of music showing Venice at her most extravagant and sumptuous best in order to welcome royal and distinguished guests.  In 1574 King Henri III of France visited the Serenissima and Andrea Gabrieli wrote the 10 part “Ecco Vinegia Bella” for the occasion. The King attended services in San Marco and we will represent this with Andrea Gabrieli’s sumptuous 16 part Gloria and Claudio Merulo’s setting of the Te Deum verse “Salvum Fac Populum”. Andrea also composed “Dal Gran Tuonante” for a distinguished lady visitor. \nIn this 2 day workshop we will also enjoy Giovanni Gabrieli’s 12 part motet “Virtute Magna” in honour of St Mark and “Udite\, Chiari” to celebrate the Sposalizio\, the annual ceremony when the Doge marries Venice to the sea. \nPhilip Thorby is a specialist in music of the Italian Renaissance\, particularly Venetian. Formerly a Professor at Trinity College\, Philip has become one of the most popular of workshop tutors. His four Zoom lectures on the music of Venice earlier this year were stunning and widely acclaimed. They can be viewed on another page of this website. \nThis workshop is for all voices\, cornets\, sackbuts\, curtals\, recorders\, viols\, violins and continuo instruments. The pitch will be 440. \nBooking now open – please scroll down for the booking form.
URL:http://memf.org.uk/event/welcome-to-beautiful-venice-with-philip-thorby/
LOCATION:Solihull School
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Viols,Voices,woodwind
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210322T193000
DTEND;TZID=Europe/London:20210322T203000
DTSTAMP:20260406T150509
CREATED:20210222T145759Z
LAST-MODIFIED:20210310T130216Z
UID:2628-1616441400-1616445000@memf.org.uk
SUMMARY:Renaissance Recycling: an instrumental  workshop (singers welcome) with Alison Kinder
DESCRIPTION:Reusing old material is not a new concept – Renaissance composers did it all the time\, sometimes with their own material and sometimes with someone else’s. We’ll look at two such examples in this workshop\, in both cases a kind of ‘upcycling’ from a short initial motet or chanson into an entire mass. \nThe first is a composer reworking his own material: Giovanni Pierluigi da Palestrina’s beautiful 6-voice motet Tu Es Petrus is then gloriously expanded into a mass\, not once\, but twice! The first Missa Tu Es Petrus is also for 6 voices\, but then he gets a bit carried away and does a setting for 18 voices in three choirs\, still based on the same material. We’ll do the motet and a movement from the 6-voice mass\, and if we’re feeling very brave then maybe the Kyrie of the three choir version…! The second example is where one composer borrows a piece by someone else. At that time it was thought of as a compliment – today we’d call it plagiarism! The original piece is the beautiful 4-part chanson by Josquin\, Mille Regretz\, and the recycling is done by Cristobal de Morales\, who uses it as the basis for a 6-voice mass setting. \nAlison Kinder read Music at Oxford and then studied viol with Alison Crum at Trinity College of Music\, being awarded the college’s Silver Medal for Early Music Studies. Her love is of viols in all shapes and sizes\, from soundpost-less Renaissance instruments to 7-string baroque basses. Alison is an enthusiastic teacher both privately and on courses\, and she runs the Rondo Viol Academy with fellow teacher and player Jacqui Robertson-Wade. \nPlease book below:
URL:http://memf.org.uk/event/renaissance-classics-an-instrumental-workshop-with-alison-kinder/
LOCATION:Zoom
CATEGORIES:brass,Loud wind,Online,Recorders,Strings,Viols,Voices,woodwind
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200613T100000
DTEND;TZID=Europe/London:20200613T170000
DTSTAMP:20260406T150509
CREATED:20200124T175452Z
LAST-MODIFIED:20200604T173016Z
UID:1526-1592042400-1592067600@memf.org.uk
SUMMARY:Handel: Judas Maccabeus - postponed to 2021
DESCRIPTION:Workshop for Voices and Instruments with Tutor Justin Doyle + AGM.  \nInformation and booking details available end of March
URL:http://memf.org.uk/event/handel-judas-maccabeus-saturday-13th-june/
LOCATION:Knowle Village Hall\, St John’s Close\, Knowle\, Solihull\, B93 0NN\, United Kingdom
CATEGORIES:A415,brass,Recorders,Strings,Viols,Voices
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20200321T100000
DTEND;TZID=Europe/London:20200321T170000
DTSTAMP:20260406T150509
CREATED:20190908T195209Z
LAST-MODIFIED:20200317T171000Z
UID:1404-1584784800-1584810000@memf.org.uk
SUMMARY:Johann Rosenmüller
DESCRIPTION:Workshop for voices and Baroque instruments (A=415) with William Carslake.  \nFollowing his early career in Leipzig\, Rosenmüller spent over twenty years in Venice where he was Maestro di Coro at the Ospedale della Pieta (like Vivaldi after him). At the end of his career he returned to Germany and settled in Wolfenbuttel. There is a fine blend of Italian and German styles in these appealing and approachable pieces of sacred music which show the influence of both Corelli and Schütz. Before emigrating to Italy in the late 1650s Rosenmüller had already been there briefly in 1645/46 and the trip had a decisive influence on his style. This can be heard in his two famous collections of 1648 and1652/3\,the Kern -Spruche (Core Sayings) and Andere Kern Spruchen (Other Core Sayings )The word painting is evocative and the sudden turns of harmony can take you\nby surprise! If you don’t yet know him you’re in for a treat. \nRepertoire: Rosenmüller\, Siehe an die Werke Gottes\nRosenmüller\, Lauda Jerusalem\nRosenmüller\, Also hat Gott\nRosenmüller\, Magnificat \nInstruments: One harpsichord and one chamber organ (or electronic organ) at A415 or two harpsichords at A415.\nOne or two theorbos. All keyboard and theorbo players need to be comfortable reading figured bass.\nStrings with baroque set ups\, or modern instruments with gut strings and baroque bows:\n    violins; violas or tenor/bass viols; baroque cellos\nSackbuts\, cornets\, curtals and recorders are welcome. \nTutor\nWilliam is Artistic Director of Farnborough Symphony Orchestra\nand Imperial College Sinfonietta and was Music Director for the Royal Ballet’s Elizabeth in\n2018 and 2016. He is passionate about Renaissance and Baroque music and directs\nprogrammes for EMF forums\, Lacock Choral Courses and Benslow Music. (more on the leaflet available below)
URL:http://memf.org.uk/event/workshop-for-voices-and-baroque-instruments/
LOCATION:Coton Centre\, Tamworth\, Church Comberford Road\, Tamworth\, B79 9AA\, United Kingdom
CATEGORIES:A415,brass,Recorders,Strings,Viols,Voices
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20191214T100000
DTEND;TZID=Europe/London:20191214T170000
DTSTAMP:20260406T150509
CREATED:20190411T205233Z
LAST-MODIFIED:20190908T145643Z
UID:1320-1576317600-1576342800@memf.org.uk
SUMMARY:Michael Praetorius: Motets from Polyhymnia Caduceatrix et Panegyrica
DESCRIPTION:Workshop for voices and instruments (A=440) with Tutor David Hatcher in Selly Oak. \nIn 1619\, Two years before his death\, Praetorius published the Polyhymnia Caduceatrix et Panegyrica – 40 choral concerts or motets in the Italian style\, modelled on works by Giovanni Gabrieli and Monteverdi. The basis of these works was Protestant hymns with instruments supporting the groups of singers. In this new style the instruments\, with a basso continuo (consisting of organ\, lute\, theorbo\, etc)\, became more important – adding interludes and symphonies. These “concerts composed in many kinds and manners” were performed at various gatherings and “filled with all sorts of musical instruments and human voices\, including trumpets and army timpani; with voices in 2 to 6 choirs”.  \nDavid Hatcher is well known to many of us from previous workshops and courses and is in great demand as a tutor.  He is an exceptional performer on a wide range of early instruments and has played and recorded with numerous period ensembles both in this country and abroad.
URL:http://memf.org.uk/event/christmas-workshop/
LOCATION:Selly Oak Methodist Church Hall\, Langleys Road\, Birmingham\, B29 6HT\, United Kingdom
CATEGORIES:A440,brass,Recorders,Strings,Voices,woodwind
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190713T100000
DTEND;TZID=Europe/London:20190713T170000
DTSTAMP:20260406T150509
CREATED:20190404T145022Z
LAST-MODIFIED:20190410T111101Z
UID:1292-1563012000-1563037200@memf.org.uk
SUMMARY:The Delights of Summer
DESCRIPTION:A workshop with Tutor Alison Kinder for all voices and instruments enjoying the delights of Summer. A time when The Leaves be Green\, Fair Phyliss is to be found feeding her flock\, nymphs and shepherds are courting and dancing\, and All Creatures Now Are Merry Minded. We’ll have a predominantly English day\, with composers including Wilbye\, Farmer\, Bennett and Morley. Such as John Bennett’s ‘All Creatures Now’ (5-part)\, and the Morley ‘Hard By A Crystal Fountain’ (6-part)\, and Farmer ‘Ye Blessed Bowers’ (8-part). \nWe welcome all voices\, strings (viols and violin family)\, recorders\, brass\, housetrained double reeds and wind caps (it would be wise to have a quieter alternative instrument or voice with you too for the daintier nymph and shepherd moments…!) \nFind the details in the leaflet below.
URL:http://memf.org.uk/event/the-delights-of-summer/
LOCATION:St George’s Church\, Rugby\, St.John's Avenue\, Hillmorton\, Rugby\, CV22 5HR\, United Kingdom
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Viols,Voices,woodwind
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190511T100000
DTEND;TZID=Europe/London:20190512T170000
DTSTAMP:20260406T150509
CREATED:20181201T212943Z
LAST-MODIFIED:20190222T120947Z
UID:1229-1557568800-1557680400@memf.org.uk
SUMMARY:Missa Diligam te Domine a12 by Valentini
DESCRIPTION:We welcome back Philip Thorby for this two day Workshop for voices and Instruments.  He has again uncovered a masterpiece for us with the Missa Diligam te Domine a 12 by Giovanni Valentini. Published in Venice in 1621\, this is a spectacular composition which in many ways reminds us of Monteverdi and Gabrieli\, but also has its own special qualities. \nValentini was an Italian composer\, poet and keyboard virtuoso overshadowed in history by his contemporaries Monteverdi and Sch?tz and his compositions are now unjustifiably neglected. He was probably born in Venice and was reported to have been a pupil of Giovanni Gabrieli.  \nFor this workshop we will need many voices and a variety of instruments for doubling or replacing vocal parts. These can include cornets\, sackbuts\, curtals\, recorders\, viols and continuo\, including lutes. \nPlease download the leaflet for more details and the timetable for the day.
URL:http://memf.org.uk/event/missa-diligam-te-domine-a12-by-valentini/
LOCATION:Solihull School
CATEGORIES:A440,brass,Loud wind,Recorders,Strings,Voices
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20190316T100000
DTEND;TZID=Europe/London:20190316T170000
DTSTAMP:20260406T150509
CREATED:20181201T211333Z
LAST-MODIFIED:20181204T151719Z
UID:1220-1552730400-1552755600@memf.org.uk
SUMMARY:Purcell: The Fairy Queen
DESCRIPTION:The Fairy Queen\, composed by Henry Purcell in 1692\, is written in the form most popular with the audiences of the day – a play with substantial incidental music\, with each of its five acts completed with an extended masque: a Restoration spectacular – following the huge success of Dioclesian and King Arthur. The libretto is an anonymous adaption of Shakespeare’s wedding comedy – A Midsummer Night’s Dream. Purcell did not set any of Shakespeare’s text to music; music was to be played as the audience took their seats and also to be played between the acts. The music for short masques in nearly every act\, presented by Titania and Oberon\, is subtly related to the action in the play and makes reference to King William and Queen Mary.\nAs in King Arthur the principal characters do not sing\, unless they are supernatural\, pastoral or drunk! Secondary characters sing to them\, usually as entertainment\, or as supernatural beings.\nWe shall need plenty of singers. There may be a chance to include some of the short solos and ensembles\, especially where they lead straight in to a chorus. At the moment we cannot be more specific but if you are interested please contact Sheila Koch the organiser\,saying whether you sing Soprano 1\, Soprano 2\, Alto or Counter Tenor\, Tenor\, Bass. \nThe orchestration is for 2 recorders\, 2 oboes\, 2 trumpets\, timpani\, strings and continuo. Pitch will be A-415. \nJohn Hancorn \nJohn Hancorn is music director of various choral groups in the Sussex area and has directed performances of Bach\, Monteverdi and Purcell\, among others\, for the Brighton Early Music Festival. John leads vocal workshops and masterclasses  specialising in baroque repertoire\, including regular visits to Early Music Fora and ‘Sing and Discover’ days with Richard Wigmore throughout the UK. He teaches at Trinity Laban College of Music\, the University of Chichester\, East Sussex Academy of Music and Lancing College. He directed chamber choir courses at Dartington for many years and is a tutor at AIMS International Music School. John was a popular tutor for Purcell’s King Arthur in 2017.
URL:http://memf.org.uk/event/purcell-the-fairy-queen/
LOCATION:Selly Oak Methodist Church Hall\, Langleys Road\, Birmingham\, B29 6HT\, United Kingdom
CATEGORIES:A415,brass,Recorders,Strings,Viols,Voices,woodwind
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END:VCALENDAR