BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Midlands Early Music Forum - ECPv6.8.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:http://memf.org.uk
X-WR-CALDESC:Events for Midlands Early Music Forum
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/London
BEGIN:DAYLIGHT
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
TZNAME:BST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
TZNAME:GMT
DTSTART:20211031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20210320T190000
DTEND;TZID=Europe/London:20210320T200000
DTSTAMP:20260730T110224
CREATED:20210222T145358Z
LAST-MODIFIED:20210307T175846Z
UID:2626-1616266800-1616270400@memf.org.uk
SUMMARY:Venice 4 - Musica Nova\, a talk by Philip Thorby
DESCRIPTION:The last talk/discussion will focus on the “sacro e divino collegio”: Ganassi’s description of those meetings where Adriano (as the Venetians called Willaert) directed voices and viols in his new kind of music – sacred motets and settings of Petrarch\, music which became the most sought-after and costly musical real-estate in Europe. Philip will talk about the repertoire and the newness of this musical style and give a personal view of how a meeting of the secretive collegio might have worked. Afterwards your comments and questions will be welcome. \nThis final talk will again be recorded\, but in smaller sections\, with Philip in person talking and taking questions between each section. Each of the four sessions stands alone\, but taken together they will present a fascinating view of Venice in the early 1500s\, where the lives of Ganassi and Willaert intertwined with the aristocratic Pietro Bembo\, the great printer Aldo Manutio and the incomparable verse of Francesco Petrarca. \nPlease book below.
URL:http://memf.org.uk/event/venice-4-musica-nova-a-talk-by-philip-thorby/
LOCATION:Zoom
CATEGORIES:Online
END:VEVENT
END:VCALENDAR